the scare crow

cinematigraphy 

• close ups
• framing

editing

• many cuts in dog scene
• cuts only used when needed

mise en scene

• adapting process

performence

• keatens smaller size
• very active
• romatic sutor

techques 

• layering of jokes
• kokes about size

repersentation

• class 
• marrage is mocked 
• women are eual

silent film 'one week'

cinematography

• close ups 
• framing 
• natural lighting 

editing 

• only when necessary 

mise en scene 

• creative props

performance 

• body language 
• neatens smaller size 
• exaggerated movement 
• Keaton plays a suitor 

techniques

• use of phisical objectes
• dead pan expresstion
• breaking the 4th wall 
• intertexuality.

reprsentation

• marrage is more equal
• class 
• mocking police

performance 

• exaggerated movment
• body language
• keatens smaller size
• 
  

context

• slapstick
• post modernisum
• keaten got the idea from a new paper advert
• cubisum( art movment from the 20s)

Silent cinema

Realist 
This movement was about films being based in reality and shot and edited as closely to reality as possible. Director style almost didn't exist. the meaning is created by what is seen and not by the editing and cuts.  the realist films focused on the characters , issues and it would closely link with everyday problems.

Cinema of attraction
This really on the  audience reaction and the immediate experence  rather than any sort of narrative.

PAN'S LABYRINTH closing scene

Performance 

• Ofelia holds little brother really tightly 
• the captain is stumbling a lot
• when the captain is running after Ofelia they are both breathing out 
• he the captain is stumbling and looks very weak.
• when he runs in to the resistants he looks very relaxed as he knows he's going to die
• Mercedes is sitting over Ofelia dead body almost as a maternal figure
• Ofelia smiles just before she dies showing she gets what she wants. 

                                                                                                                                                         

cinematography 

• slight blue cold lightning 
• raw captain is hidden in the darkness a lot
• flame of face highlights his range
• the light is focused on the baby which highlights the time of hope
• bright lighting and gold foreshadows foils fate
• opposing characters faces are never in the same shot

Pans Labyrinth Opening scene

cinematography

• camera pans a lot 
• camera movements is disorienting
• shooting shot of the Ofelia dying
• zooms into to her eye to show the story from her perspective 
•  introduction of the captain is from a high angle

Editing 

• opening shot is reversed 
• fades give the story a dream like feeling
• minimal cuts
• fades into the past
• cuts through objects 

lighting

• harsh blue light makes it feel like a fairy tale
• warm brown lights makes its used for the real world
• misty 
• the bright lighting used at some points gives a sense of hope

sound

• humming lula bye 
• heavy breathing
• very dream like

mise en scene 

• the first sequence is very strange looking 
• the captains watch show that he is a very orderly man and it also highlights the relationship he had with his father.

city of god: closing scene

City of god: opening

Cinematography and lighting 

• opening images a of a knife  which give the audience an idea of violence 
• the first image of lil ze is an uncountable close up of him screaming which make you dislike him straight away.
• most of the sequence is very tight and claustrophobic  
• the sequence is shot hand held which makes it much more chaotic 
• all the shots are very low with only seeing a few shots of the people faces but they are stiff very distorted 
• everything slows down when rocket is shown is a long shot that lasts more than 2 seconds.
• not much sky very dark and a lot of shadows are seen with a very grey palette
• there's a 360 tun with that camera that takes the scene right the sixties where there is a lot more brighter.

editing 

• very quick editing that immediately  sets the tone for the film
• kinetic editing
• as soon as we see rocket the fast editing stops and more traditionally editing  techniques  are used
• slow motion is used when rocket is see lil ze showing him as a threat.
• freeze frames are used to give a slight break from the narrative to allow Rocket narration to explain something
• 360 fade into the past

mise en scene 

• a lot of the unnecessary shots of guns 
• lack of sky 
• dimly lit and when the flash back comes its much brighter
• knives and guns are used sets the tone of the film
• bowl of chicken blood also gives an idea of the themes of this film

sound 

• first sound heard is knife 
• vibrant Latin pop contrasts the narrative 
• music stops when you see rocket 
• the noise of the camera and guns match up in certain parts.
• mostly diegetic music

Ideology 

• chicken tries to escape but fails , which foreshadows some character that try to do the same.
• there is some corruption  shown through the police  
• themes of violence and revenge are shown
• in the flash backs you see the older hoods that are much more playful and what they're doing isn't shown to be morally terrible
• themes of poverty is shown as these characters run through the slums